Browse Tagged “Women's Lives” from the Canadian Macedonian Heritage Society archive, library and community collections.
Paul Bassil (Tupurkovski) was born in the village of Oshchima, Agean Macedonia, in 1908. His father Vasil was killed by the Turks at a young age and his mother, Sultana had to raise his brother, Spero, his baby brother Micho and sisters Velia, Sandra, Elena and Ilinka all alone. His mother was killed by the Germans during the second world war.
In recognition of her exceptional civic leadership and tireless commitment to heritage preservation, the Canadian Macedonian Historical Society (CMHS) honors Past President Virginia Evans for her receipt of the prestigious Queen Elizabeth II Diamond Jubilee Medal. This distinguished award celebrates Virginia’s decades of service in documenting Macedonian-Canadian history and her significant contributions to the cultural fabric of Canada. Through her advocacy, philanthropy, and executive leadership, she has played a vital role in elevating the profile of the CMHS and fostering a deeper understanding of the community's legacy. This formal commendation reflects her unwavering dedication to public service and serves as a testament to her lasting impact on both the Macedonian community and the broader Canadian public.
Vassa Evans is determined to build a home For the Macedonian people of old Inspired by the Lord Canada is her free world From Macedonia, she brought the light with her And in Canada she works day and night She wants to make sure that the Macedonian seniors in the home Will never feel unhappy or alone All Canadian Macedonian functions are a big success God bless A great lady of admiration Keeping alive the Macedonian ...
Her high school life Was unbearable. The high school teacher Wanted to brake her morale. He insulted her, chased her out of the classroom often And he was feeling very happy That was his elevation That was his confidence. She was going home with cries She was complaining to her mother And saying, "Go and speak to the teacher For the unjust behavior of his..." Her mother was answering her with sadness "This problem ...
The miser where ever he goes His mind is for money. He wears cheap clothes And he eats poorly. He daydreams and he daydreams Money, money, money He counts and he recounts his money He thinks they are not enough. He deprives the basic life. He does know the meaning of an entertainment or a trip. He has hatred in his heart Everything bothers him. His wife suffers greatly She had a different way of living. She loved ...
Hosted by the Canadian Macedonian Historical Society (CMHS) on October 20, 1996, this lecture features Nicky Alexiou in a poignant exploration of the "Baba" as the central pillar of traditional Macedonian life. Alexiou masterfully weaves personal anecdotes with historical context to illustrate how grandmothers served as the family’s emotional core, primary educators, and expert household managers. The event provides a rare look into authentic culinary practices—from the hand-crafting of clay cookware to the preservation of foraged mountain mushrooms and artisanal cheeses—while emphasizing a "zero-waste" philosophy rooted in love and communal survival. Ultimately, the lecture serves as a powerful call to preserve these matriarchal traditions, framing the Baba not just as a figure of the past, but as a vital root for the cultural continuity of future generations.
The "From Baba's Hope Chest" exhibition (1995) was a monumental achievement for the Canadian Macedonian Historical Society, born from the vision of educator Annie Wood and brought to life by a dedicated 19-member committee. This team worked tirelessly over three years to secure public funding and collaborate with the Museum for Textiles to curate a professional showcase of over 1,500 documented pieces of Macedonian textile art. By documenting oral histories and photographing heirlooms from private homes across Canada, the project created a "bridge to memory" that elevated traditional village crafts into a prestigious public gallery setting. The exhibition’s cultural impact was so profound it even inspired the Fall collection of renowned designer Marilyn Brooks, successfully proving that the private treasures of Macedonian "Babas" are essential threads in the fabric of Canada’s multicultural identity.
The 1993 Zelnik-making demonstration at the Canadian Macedonian Place served as a vital cultural gathering, showcasing the intricate, communal artistry of traditional Macedonian pastry. Led by community elders, the event highlighted the technical mastery required to hand-roll paper-thin layers of dough—often stacking up to 30 sheets—to create the iconic flaky texture of the savory pie. Participants demonstrated various fillings, including traditional greens and cheese, while emphasizing the signature pleated crust that defines an authentic Zelnik. Beyond the culinary instruction, the event acted as a "living archive," preserving a labor-intensive heritage for the Macedonian diaspora and ensuring that the philosophy of communal food preparation remained central to their identity.
